Diana's Malibu dream says more about us than about her
The recurring claim that Diana planned to start over in California with her sons works better as myth-making than as revelation.
Photo: Tucker, Robert John, 1948-2023 / Wikimedia Commons (CC BY 4.0)
Why does a woman who died in 1997 keep getting new endings? Princess Diana is handed a fresh alternative life every so often, and one of the favorites has a zip code: Malibu. The headlines do what they always do. They invite us to imagine the sons, the beach house and the version of history where everyone got out in time.
What is actually on the table
The claim is easy to summarize. The Daily Mail writes that, according to multiple friends of the princess, she was eyeing a move to the United States before her death in 1997, and adds that "it's been said" she wanted to move into Dodi Fayed's Malibu estate. The same piece describes six bedrooms, a tennis court and a pool. Elle Italia's version adds William and Harry to the picture, and its page carries the line "Nessuno giudica qui in America" ("nobody judges here in America") in quotation marks.
Notice the grammar of all this. "It's been said." "According to friends." Vanity Fair, to its credit, frames it as a question: was Diana planning a move to Los Angeles to begin a "new life" with Dodi al-Fayed? A question is the honest register here. In the material we have, the evidence is secondhand recollection plus a real estate tour.
A mansion is not a plan
We think the house is doing most of the work. A property is something you can photograph, and a photographed property feels like proof. But a villa with a pool shows that a villa exists. It doesn't tell us what anyone intended, and it certainly doesn't tell us what two boys would have wanted or been allowed to do. Nothing we've seen settles that, and we'd be suspicious of any outlet claiming it does.
There is also the matter of who can no longer answer. Diana can't confirm, qualify or roll her eyes at "friends say." So the story can grow in whatever direction the audience finds most satisfying, and the audience likes one shape in particular: escape. Palace, press, sadness, then sunshine and anonymity.
Why we keep wanting this ending
This is the part we find more interesting than the house. The Malibu story is a consolation. It lets us believe her last chapter was a beginning, not an interruption. It also flatters the present, because it casts Diana as someone who would have anticipated the exit from royal life that her younger son later made. That's neat, and also conveniently unfalsifiable.
Notice, too, how the tale sits alongside the current news cycle. This week Hola is reporting on what Diana's brother says she would have wanted for William and Harry amid their rift. We can't vouch for the details of that piece beyond its headline. But the pattern is clear: Diana is used as a moral compass for family disputes she never saw. Whatever she "would have wanted" is a blank check, and everyone cashes it for their own side.
Our verdict
Read the Malibu story as folklore, and enjoy it as such. It may well contain a kernel of truth: friends may genuinely have heard her talk about California. That's plausible, and we're not claiming otherwise. But plausible isn't proven, and a dead woman's hypothetical relocation shouldn't be recruited into today's royal feuds.
If you want to respect her, resist the urge to finish her story for her. The version in which she left for the coast is no more knowable than the version in which she stayed. The most useful thing a reader can do with a headline like this is notice who benefits from the ending being rewritten, and sometimes that's just us, enjoying the view.
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